The intro does a good job setting the scene.
If they were rebooting an ’80’s franchise instead, men on the internet would have had another fit.
So, essentially, it is a film about women, by women, and for, well, anyone interested in legal and science history. Pilcher also worked as a producer on the film, alongside Emily McEvoy ( Queen of Katwe 2016, Materna 2020) and Executive Producer Lily Tomlin ( Nashville 1975, 9 to 5 1980), amongst a host of others. The film is the feature-length debut for directors Lydia Dean Pilcher ( The Darjeeling Limited 2007, A Call to Spy 2019) and Ginny Mohler ( Gunslingers series, K’naan: In the Beginning 2009), who wrote the script alongside Brittany Shaw ( Garden Death 2009, Usluckyounguns 2011). Now they aim to sue them for damages in a lawsuit that would impact workplace health and safety and scientific studies worldwide. Bessie, Josephine, and the other Radium Girls were told the paint they were using was safe to use, but once Bessie joins forces with an activist movement, they discover American Radium were lying about the paint to their workforce. But then things go wrong when Josephine gets increasingly sick. New Jersey teens Bessie (Joey King: The Conjuring 2013, The Act 2019) and Josephine (Abby Quinn: Landline 2017, After the Wedding 2019) dream of going elsewhere as they paint glow-in-the-dark watch dials for the American Radium Company.
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